{{error}}
Korisničko ime ili e-mail
Lozinka
ili
Facebook prijava


Unesite e-mail:


Celine Dion u 50. godini prvi put u životu pozirala gola za Vogue

5.7.2017. u 19:41
24
81
Celine Dion u 50. godini prvi put u životu pozirala gola za Vogue
24
Celine Dion u 50. godini prvi put u životu pozirala gola za Vogue
Celine Dion (Foto: EPA)
Kanađanka Celine Dion pozirala je gola za Vogue prije jučerašnjeg nastupa na pariskom Fashion Weeku. Na fotografiji koju je poznati modni magazin objavio na Instagramu, sedmerostruka dobitnica Grammyja sjedi gola na stolici, prekrštenih nogu i ruku.
"Evo malo golih činjenica o kojima možete razmišljati dok se Celine Dion presvlači između nastupa. Tokom proteklih pet godina nosila je skoro ekskluzivne kreacije visoke mode na svojim nastupima, kao što su onaj u Las Vegasu ili na mini evropskoj turneji koja još traje. Ona ima nastupe najmanje dva sata svake noći, pet ili šest dana u sedmici, na kojima se stalno kreće, pleše...", napisali su iz Voguea na Instagramu.

Here's a little naked fact to ponder while Celine Dion changes looks between shows: for the past five years she has worn haute couture near exclusively for her own performances (in Las Vegas and on her current "mini-tour" of Europe). She performs a minimum two hours a night, five or six nights a week, dancing and curtseying and generally gesticulating sans abandon, in handmade, hand-beaded delicacies designed solely to walk a catwalk or a carpet (and often with handlers). For Celine's orders, the houses send teams to Nevada for typically three fittings, before the garments are ultimately finished in her local, private atelier. Armani Prive, Schiaparelli, Giambattista Valli, Versace...only a partial list. Everyone, basically. In Vegas, Velcro panels are added to allow for her ribcage to expand or for a quick outfit change. Micro straps of elasticized chiffon prevent a slit from becoming a sloppy situation mid-squat. Shoes—always heels, never platforms—are ordered one size smaller (she is normally a 38) and refitted with metal shanks. Says Celine, "We have to make haute couture industrial." And, more enigmatically: "The clothes follow me; I do not follow the clothes." Which is to say: the haute couture, with all its fragility and handcraft, has to perform professionally for Ms. Dion. And privately as well. Years ago, Celine bought a classic little black dress from the Christian Dior atelier when the house was overseen by John Galliano. It is simple, falling to mid calf, and narrow as can be with just a hint of stretch. It requires a minimum of jewelry, a statement bracelet or perhaps one of the major diamond rings she designed with her late husband Rene Angelil: two pear cuts set in a wide pave band, or two hearts of diamond and emerald abstractly interlocking, on a cushion of yet more diamonds. This LBD forces you to walk one foot in front of the other. This is a dress Celine knows well and clearly loves, the simplest evocation of the private luxury of couture and the total antithesis of the red carpet hoopla that attends the union of fashion and celebrity. It is also the dress she wore to Rene's funeral. #CelineTakesCouture Photo by @sophfei.

A post shared by Vogue (@voguemagazine) on




Vogue je objavio još nekoliko fotografija poznate pjevačice, jednu u crnoj kombinaciji uoči revije Christiana Diora, drugu na kojoj ona maše fanovima ispred muzeja Petit Palais te treću gdje diva pozira na balkonu u svjetlucavoj haljini i dubokim čizmama.

"They see me; I don't see them," is Celine Dion's line on the great blob of paparazzi and fans that follows her everywhere. She gives them any picture they ask for, plus a great many more. Consider an appointment with at the house of Schiaparelli, where she poses for the creative director Bertrand Guyon on a window sill overlooking the Place Vendome. She wears a tiny whimsical dress of Swarovski chainmail re-embroidered with yet more crystals and high sparkly Victorian boots--a little Twiggy, a little Tina Turner. Says her dancer Pepe Munoz: "That's a rockstar!" Says Libby Hahn, who handles public relations for the house: "I am fairly certain she was a rockstar before she put on the dress." Says Celine's own longtime photographer Denise Truscello (a Canadian cinephile with her own rockstar style), thinking of the long lenses poised on the place below: "Is the dress pulled down in the back?" Says Celine Dion: "They might see my butt, but I don't think they mind." #CelineTakesCouture Photographed by @denisetruscello

A post shared by Vogue (@voguemagazine) on




Ovo je prvi put da 50-godišnja Celine pozira u potpunosti bez odjeće. Prije pet godina uradila je fotografije u toplesu za V magazin kada je rekla: "Ovakva sam u privatnom životu".

In the minutes before her show at the AccorHotels Arena at Bercy, Celine Dion is presented with an award by the French division of Sony for her 2016 francophone release Encore un soir. Dion thanks the clutch of executives assembled avec champagne and macaroons in the green room (hell, this is Paris after all) and reminds them quietly that this award means even so much more because the recording was her first without Rene and made during the most raw and difficult of times. Now it is a "diamond," meaning it has sold over 500k in France. Actually it has sold over 800k, and this is at a time when, hello, NO ONE BUYS RECORDS ANYMORE. Except for people in France who adore Celine, that is, nearly 20k of which are soon singing along--every lyric, every song--to their beloved diva. For a stadium show it is an extremely personal affair--everyone cries! --and never more so than when Dion's three sons make an appearance, via projection, during her cover of Michael Jackson's Black or White. Rene-Charles, aged 16, raps the King of Pop's spoken word bits, and when he is finished the twins, Nelson and Eddy, make a smiling cameo. Her children are not in the business--"I am not that kind of mother"--but they travel with her on tour and share some of her passions. Rene-Charles loves music and shoes ("the apple did not fall far from the tree") and, like her, habitually over packs. On this tour he has brought 70 pairs of sneakers. The 6-year-old twins Nelson and Eddy love to dress up, as kids do, and recently asked to have their hair cut and styled like James Brown. Yes, that James Brown. Tres difficile! Fun fact: It was Nelson and Eddy's love of Disney-era Zendaya that made Celine aware of the stylish teen star. She then clocked Z's picture on the red carpet and in magazines. So she googled "who is Zendaya's stylist," as one does, and found Law Roach. Yes, that actually happened. #CelineTakesCouture Photographed by @denisetruscello

A post shared by Vogue (@voguemagazine) on




Podsjećamo, pjevačica je prošle godine prošla kroz teško razdoblje nakon što je izgubila supruga Renea, a dva dana kasnije i brata. Obojica su preminuli od raka grla. Celine kaže kako je proživljavala česte nervne slomove, ali se oporavila nakon svega te se oseća bolje nego ikada.

Celine je sinoć nastupala u Parizu, a već se sprema za nove koncerte u Velikoj Britaniji.

Celine Dion doesn't try to hide her feelings. Her candor is one of her many charms, coupled with lovely manners and an emotional transparency that's unique in anyone (let alone a global popstar for over 30 years). Last year at the haute couture show for Giambattista Valli, she sang, clapped, oohed and cooed, before ultimately going backstage post-show to weep with Giamba and his mama. "No one else was applauding," she recalls slightly sheepishly as she waits to enter the Petit Palais for this summer's Valli catwalk. She is joined by a featured dancer in her European show by the name of Pepe Munoz. Pepe is a Spaniard, originally from Malaga; he is also a budding fashion illustrator (@pepemunozillustrations). Celine was introduced to Pepe by Las Vegas show folks she knows through her butler's wife, who is a dancer herself. ("All the people I meet," says Dion of her Vegas social life, "are acrobats, dancers, or divers. That's family.") Now the two are fast pals, inseparable onstage (her in a jeweled, super-heroic unitard, him in his basic helpless hotness) and off. And so when, this season, Celine decides to express her exuberant enthusiasm for Valli's work it is by making flamenco hand signals to Pepe, who is across the aisle, and his front row neighbors, actress Rossy de Palma and the esteemed Spanish choreographer Blanca Li. And there are far too many runway winners to count. A delicate tiny floral tee-shirt of fully embroidered tulle worn with a collar or harness of black pailettes. Ball dresses of chantilly lace, pleated tulle, or broderie anglais, cut high in the front, trained in the back. This is a full-on Celine show in every sense. Celine's hands are twirling; Pepe's hands are Voguing; Rossy is inexplicably doing scissor kicks.... The models (the lucky ones!) are gliding by in ballet shoes, but the dancing is all going down in the seats. When it ends, Pepe is in tears. Blanca is in heaven. And Celine is saying that next year, if she is on tour in Europe, she will ask to have the whole week of the shows off from performing. "But they won't let me," she laughs, "for fear I will spend too much money!" #CelineTakesCouture Photographed by @denisetruscello.

A post shared by Vogue (@voguemagazine) on



Najnovije
Najčitanije
Preporuke
Anketa
Hoćete li gledati novu "Audiciju"?
Email adresa: (nije obavezno)

Tekst ispravke: